Galaxy Of Suns

A Galaxy of Suns
Premiered at the 2016 Dark MOFO festival in Hobart
Created by Michaela Gleave in collaboration with Amanda Cole and Warren Armstrong
Performed by the Tasmanian Symphony Orchestra Chorus
Lighting Design and programming by Toby Knyvett

Lighting programming included translating from the existing pure data app that created the dynamic sounds into vvvv so those sounds could trigger lighting.

Read More

Supreme Ultimate / Women Of Fairfield

A collaboration between Hissy Fit and Australian-Vietnamese actor, director, martial arts specialist, Maria Tran. Staged on the top three floors of the Downey Lane Car Park. Supreme Ultimate explores the ways in which martial arts has informed identities and the ways, particularly in a cinematic context, it uses forms of control and deviancy, restrain and excess to navigate cultural and gendered domains.

Supreme Ultimate was just one part of the larger Women of Fairfield project.
Presented by Powerhouse Youth Theatre, the Museum of Contemporary Art, C3 West and the NSW Service for the Treatment and Rehabilitation of Torture and Trauma Survivors

Supreme Ultimate
Created by Hissy Fit and Maria Tran
Hissy Fit is Jade Muratore, Emily O’Connor and Nat Randall
Sound design/compositon by Tom Smith
Technical Production by Andy Lysle at Technical Event Services
Stage Management by Angharad Lindley

Lighting and Interaction Design by Toby K

Read More

Mortal Condition

Mortal Condition premiered at the Space Theatre, Adelaide Festival Centre in May 2016.

Concept, Choreographer & Dancer  Larissa McGowan
Associate Director & Dramaturge  Steve Mayhew
Dancers  Thomas Bradley, Kialea Nadine Williams
Composer  DJ Tr!p Tyson Hopprich
Choreographic Advisor Lisa Griffiths
Producer Jason Cross, Insite Arts

Featuring the music of Mike Patton

Lighting, Projection, Set Design and Robotics Automation  Toby K

Read More

The River Eats 2015 South Korea

 

The River Eats was remounted by the MCA for a tour to the MMCA in Seoul, South Korea for a one week season. It was part of the New Romance exhibition which features South Korean and Australian artists exploring notions of technology. The exhibition is due to come to Australia in 2016.

———————

 

———————

“A standout of Melbourne’s 2012 Next Wave Festival, The River Eats is a visually stunning fable of transformation and desire.”
Cult Magazine – July 2013

“An audio visual assault that could rival Aphex Twin… a beautiful counterpoint to Shoulder’s live action elements”
Pages Digital – Erin Moy – July 8th 2013

Devised, Performed, Costume & Set Design: Justin Shoulder
Video and 
Lighting Design: Toby Knyvett
Video and SFX: Rebecca Stegh
Composer and Sound Design: Nick Wales
Creative Producer and Dramaturg: Jeff Stein

The River Eats has been supported by the Australian Government through the Australia Council, its arts funding and advisory body, the City of Melbourne through Arts House, Next Wave Festival, and Performance Space.

Images by Heidruhn Lohr and Toby Knyvett. 

Technology used includes conventional lighting, infrared tracking and interactive generative visuals programmed in vvvv.

For a video of the performance see here.

See the extended for the full gallery.

Read More

HMAS Onslow and HMAS Vampire lighting upgrade

Title: HMAS Onslow and HMAS Vampire lighting upgrade for ‘Action Stations – On Board Experience’ exhibition
Brief: Create immersive and exciting lighting design for existing spaces on the heritage vessels. Additionally in the HMAS Onslow submarine an interactive lighting solution was required for an onboard game. Challenges included extremely limited physical space, limited scope for penetrations and modifications, corrosive and high moisture environment, limited installation time and low power consumption.
Response: We specified and installed a robust low voltage LED system based on Gantom Darklight spot/gobo products and Enttec LED strips. We custom built a modular Arduino solution for interactive lighting control on an area by area basis.
Results: Visiting both vessels is now a noticeably more theatrical experience with a multi-dimensional approach to storytelling evident throughout.
Awards: The Action Stations exhibition (including the on board experience) won the Museums & Galleries of NSW 2016 IMAGinE award for best exhibition in the 11+ staff category.
Credits: 
Action Stations On Board Experience designed and installed by Mod Productions.
Lighting Design – Toby K
Co-Lighting Design – Emma Lockhart-Wilson
Lighting project management – Rob Hughes
obe_748_418-748x418
Continue reading to see the full gallery

Read More

The Unbroken Line – Sydney Opera House: Creative Play

 

Client: Sydney Opera House
Title: The Unbroken Line
Brief: Every school holidays Sydney Opera House runs a Creative Play program in the western foyer. The Unbroken Line is one of a number of interactive art commissions that we have developed for this program. The core goal of Creative Play is to empower young people to be artistic and collaborative. Creative Play installations need to be accessible, simultaneously accommodate a large number of participants and be suitable for both long (hours) and short (five minute) engagements.
Response: We knew Unbroken Line was going to be a screen project but we wanted to get away from ubiquitious touchscreens. Instead Unbroken Line is an extra large ‘bodyscreen’. Bodyscreen is a term we coined to describe our unique interactive technology where instead of detecting touches like a conventional screen it detects hands, arms and body parts before they contact the screen, creating a different dynamic between participant and surface. The custom interactive app is based on the idea of a single continuous line that can be manipulated by a large group of people. The line can be configured as a single line or a number of shapes.
Results: The installation was in high demand throughout the school holidays. The Opera House is an attraction for visitors from across the globe and a highlights was seeing english speakers and non-english speakers collaborating together to create an artwork.
Credits: 
Interactive Design – Toby K
Project Director – Frank Newman (Creative Learning Specialist, Sydney Opera House)

Continue reading to see the full gallery

Read More

Hissy Fit Development

Images from the development of I Might Blow Up Someday by Hissy Fit. Taken in July 2015 at Studio 1 UNSW.

I might blow up someday utilises the productive qualities of hysteric action, which for centuries, has been considered a physio-psychological phenomenon synonymous with the dissenting, deviant woman’s body.

Hysterical performances over time have been marked by such actions as contorted posturing, repetitive and rhythmic movement, through to induced epileptic seizures. Surviving documentation of these performances bare a strong resemblance to the rhythmic, yet out-of-control, gestures and dance moves associated with punk rock culture, namely headbanging.

The show will premiere this October as part of Performance Spaces Liveworks Festival Of Experimental Art.

This project has been supported by the Australia Council for the Arts, Arts NSW, Bundanon Trust and Creative Practice Lab UNSW.

Hissy fit is Jade Muratore, Emily O’Connor and Nat Randall

Lighting by Toby K

HissyFitShowing1Archive-100-ANIMATION

Read More

QL2 – Reckless Valour

 

ARTISTIC DIRECTOR – Ruth Osborne

DRAMATURG – Paschal Daantos Berry

CHOREOGRAPHERS – Jodie Farrugia, Natalie Cursio, Rowan Marchingo, Fiona Malone and James Batchelor

COMPOSERS – Nicholas Ng, Warwick Lynch, Mark Webber, Luke Tierney and Morgan Hickinbotham

VIDEO DESIGN – WildBear Entertainment

LIGHTING DESIGN – Toby K

Continue reading for the full gallery

Read More

Orbital Illumination

I’ve just launched a dedicated website for a new project. It’s called Orbital Illumination and the concept is to put steerable mirrors in orbit that reflect sunlight. Applications would be for entertainment, emergency and general illumination purposes.

OrbitalIllumination.tobyk.com.au